The Atlanta Temple in Sandy Springs, GA was closed for renovation for nearly 2 news. When a temple is closed for construction and then re-opened, a few things occur. An open house is organized and open to the public for a couple weeks and then the temple is re-dedicated by the prophet of our church, Thomas S. Monson, allowing temple recommend holders from re-dedication forward to enter. In April 2011, our temple was reopened and re-dedicated. Customary to a temple's re-dedication is a cultural celebration by the youth of the church in that area. There are temples all over the world.
Kathy and Rene Alba were the co-directors of the show and I was asked to be one of the choreographers and cast directors for this production...and production it was. There were over 2,000 youth that participated from all over the state of Georgia and they took such pride in it. It was such a blessing to part of. The production theme was the history of Georgia with dialog and dance. It was called Southern Lights. The opening number was "Waitin' for the Light to Shine" by the youth choir (who sang a number of songs). I choreographed 4 routines: the Stomp, Salsa, Flags and Cheer. I also taught the Charleston to the youth in my area. These youth worked so hard. The whole event took months of preparation and the show was one night with a pre-show by an adult choir. The Prophet was in attendance and he took about 15 minutes to start off the evening by speaking. Truly touching and inspired. The whole event was memorable and I got to meet some fantastic people in the process. But the highlight would have to be when the Stomp received a standing ovation by not only our Prophet but the entire audience (the only group number to get a standing “O”). I was backstage the whole time so I didn’t know until after the show. I couldn’t help but get emotional from that. What we do humbly and put ourselves honestly and whole heartedly into makes a difference. The standing ovation was an added bonus but to see the pure joy and excitement that these youth had and how proud they were of themselves was amazing. Most of these youth didn’t have dance training, we made the dances simple yet effective and the teachers in their area did a phenomenal job teaching them the choreography and perfecting it. All of the choreographers taped their routines teaching with counts, performing it with music and then the reps in each area taught them. I had youth performing my particular dances from Sugar Hill, Macon, etc. Too far for me to travel multiple times a week to work on so how thankful I am to everyone for collaborating and making this a group effort for success.
Tom being so talented in his music, video and audio ways did an "I'm a Mormon" video by highlighting about 6 youth from all over the state and compiling this really neat presentation. If I can upload a video here, I will. It’s worth sharing. Tom also got to be backstage when our Prophet arrived and be one of the photographers for the event. I was back with the cast directors around the time our Prophet was arriving and shortly after, Tom came into the room with a face that I knew he just experienced something special. He pulls out his camera and shows me the pictures...amazing... I know that Thomas S. Monson is a man of God. Tom got to take pictures during the show and captured some great moments.
I am grateful for the Atlanta Temple and for the opportunity I was given to be part of this. Here is a picture of all the cast directors and assistant cast directors.
